THE LANGUAGE OF TABLA

Exploration of vocabulary of tabla through the lens of lingustics

 

Written by 

Rohen Bose

The story of freedom fighter Matangini Hazra

 

 

Written by

Suranya Sengupta

Tribute to the legacy of legendary vocalist while commemorating his 92nd birth anniversary

 

 

Written by 
Indian Classicalist

Roles and Identity of Actresses in 19th Century Bengali Theatre

 

 

Written By

Shrinjita Biswas

One of the all time greatest filmmakers, Satyajit Ray used to compose music for most of his films. But for his first few films, he had collaborated with some of the biggest names in Indian Classical Music.

 

Written By

Rohen Bose

Looking back at two famous classical dances sequences in Bengali films, featuring Padmashri Roshan Kumari in Satyajit Ray’s Jalshaghar and Padmashri Minati Mishra in Tapan Sinha’s Nirjan Saikate.


Written by
Aliyah Banerjee

This is the first article of the module : SATI : A journey from implementation to abolishment, which is going to be published fully in 4 articles. 

 

Written by

Suranya Sengupta and Afreen Alam

The second article of the module SATI : A Journey from Implementation to Abolishment, explores contribution of Raja Rammohan Roy, the founder of Brahmo Samaj as well as role of Christian Missionaries, notably William Carey of Sreerampore Baptist Missionary, in moblising public opinion against Sati.

 

Written by

Suranya Sengupta and Afreen Alam

The third article of the module SATI : A Journey from Implementation to Abolishment, explores the cultural glorification of ritual of Sati in different parts of India, specially in Bengal followed by passing of the Bengal Sati Regulation in 1829 by Lord William Bentinck.

 

Written by
Suranya Sengupta and Afreen Alam

A study on the relationships between Kalinga Temple Architecture and Odissi Dance.

 

Written by

Urjjasee Basak

The final article of the module SATI : A Journey from Implementation to Abolishment, explores the scenario of SATI ritual in post independence India with sporadic cases reported from various parts of the country.


Written by
Suranya Sengupta and Afreen Alam

A contemplation on screendance as an emerging zone of exploration as well as form of expression for an Indian Classical dancer.

 

Written by

Sangita Chatterjee

An exploration of references of Maharana Pratap in folklores and various art forms which have only grown immortal in Rajasthan and beyond over several centuries.

 

Written by

Suranya Sengupta